Product Code: 05553
ISBN: 978-1-4236-0555-3
Size: 9" X 8" X .37"
Availability: In stock
| Paperback | $16.99 |
Download information sheet for Papier-Mache Monsters
Dan Reeder has been building papier- and cloth mâché monsters for more than three decades. He is the author of The Simple Screamer: A Guide to the Art of Papier and Cloth Mâché, and Make Something Ugly for a Change: The Definitive Guide to Papier and Cloth Mâché. He lives in Seattle, Washington.
Learn more secrets at papermachemonsters.com.
Step-by-step instructions for creating papier-mâché monstrosities
Table Of Contents:
Introduction 6
What You Need to Know Before You Begin 11
Basic Projects 18
Delightful Monster Details 104
More Monsters 122
Index 143 br>
Reviews
For lovers of the truly grotesque, Reeder (Make Something Ugly for a Change) provides detailed photo instructions for large figures constructed of clothes hangers, newspaper, and glue. Cloth skin, teeth, and slathered-on paint finish them off. The toothy dragons are particularly effective.
Reviews
I first met Dan Reeder over twenty-five years ago, while strolling through an art fair in our shared hometown. I was, I remember, bored out of my mind and heading back to my car, when I suddenly caught a glimpse of something out ahead of me, hanging high in an artist’s booth. My adrenalin started flowing. Boredom had morphed into pure desire. I could have knocked someone down as I made my way toward the object of my instant affection, and when I finally stood almost directly under it, I found myself gazing up at a large ochre-colored, multi-fanged, drool-festooned, wall-eyed dragon. Be still my heart. And as I looked around the booth, I saw other humorous-but-also-edgy-looking beasts. I had entered the world of Dan Reeder, and I suppose, looking back on it now, it was inevitable that we would quickly become good friends. (I think Dan and I make each other feel normal.)
Fast-forwarding to the present time, I initially thought Dan was a little crazy for writing a how-to book that reveals all his secrets on how to make such unique creatures from such un-unique materials. (Personally, I would never show anyone how to draw a cow—the udders alone took me years to master.) But he assured me he really wanted to do this. I guess it’s the teacher in him. And, in truth, I’m not one to argue that the world doesn’t need more monsters, be they made of papier and/or cloth maché, as demonstrated in Dan’s entertaining new book, or flesh and blood, as demonstrated by the one standing behind you right now.
(P.S. Yes, I bought the dragon.)







